After setting up the mics and balancing them, we started with the almost full-acoustic number, "Twelve Years" (for lack of a better title it looks like we're sticking to it), did a few takes, double-tracked the best one, a little solo part and that was it. Well, not really, Daniel came up with the idea of using an old, dusty and battered Spanish guitar he has there for the outro lick. It had a very alternative tuning, that guitar. In fact, it was tuned in microtone steps so impossible for the human ear to distinguish that, for a moment, I almost thought that was just a piece of crap completely bonkers and ready to smash. But no, it was just waiting for a loving hand an iPhone tuner app to return to the wonderful world of the standard 440 tuning. It took some time to show her the marvels of staying in pitch. It took a lot of fucking time, more than actually recording the part.
Next sessions will be in the second half of January, where we'll be finishing the basses before entering my favourite part, the electric guitars, which precedes my least favourite part, recording the vocals. But let's not think that far right now, I want to have a happy Chrimble. And to you all as well, dear readers (is there anybody out there by the way?)
Songs recorded (Dec 18):
Twelve Years: acoustic & classical guitars
The Wounds Inside: acoustic guitars
Vertigo: acoustic guitars
Talking To Nobody: acoustic guitars
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